Stella could only be her when Desiree was not around.” One day, Stella disappears, leaving her sister a note: “Sorry honey, but I’ve got to go my own way.” But gradually the gap between them widens: “Desiree could never meet Miss Vignes. Only a person who knew her real identity would appreciate her acting, and nobody at work could ever know.” For a while, the twins are brought together by the joint pleasure of pulling off the performance. It’s “a performance where there could be no audience. Every morning, on the ride to the office, she transforms into her double, Miss Vignes-“White Stella,” as Desiree calls her-and every night she undergoes the process in reverse. She’s apprehensive-has she done something wrong?-but her sister is adamant: why should the two of them starve “when Stella, perfectly capable of typing, became unfit as soon as anyone learned that she was colored?” Stella gets the job. She doesn’t mention she’s black, and no one asks. They scrape by for a while, and eventually Stella applies for a position as a secretary at a fancy department store, a job only white girls get. Desiree and Stella Vignes are sixteen and headed to New Orleans. In 1954, a pair of identical twins-creamy skin, hazel eyes, wavy hair-flee a small town in Louisiana and the narrow future it affords: nothing but more of the same.
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